Trying out some new tricks this year and I made two lists. The Finnish edition and the international edition. This is how the real magazines do these, so I suppose it’s alright. I’ve felt that doing these lists separately somewhat underestimates the Finnish releases. As if they are not good enough to make it to the list, if you make just one list. My top three Finnish albums would have made the top 10 in any crowd. Anyway, at least I get to choose two albums of the year.

Here we go (again)..

10. 22-Pistepirkko – Lime Green Delorean

There’s a few tracks on the new 22-Pistepirkko album that I’m not a big fan of. On the other hand, the album contains couple of songs that I really love. Especially Sweet Rodeo Heart and Ufo Girl are absolutely brilliant. Legendary band are still delivering the goods.
 
 
 
9. Kim Curly Band – So Long, King Desire

Kim Curly Band broke up after this album. I don’t think it had anything do with the quality of the music, because this second album from the masters of Finnish americana was a really good effort. A bit of Ryan Adams and Neil Young influences can never hurt.
 
 
 
8. The New Tigers – The New Tigers

Not too keen on the last three tracks, but up until that point The New Tigers debut was awesome. They won my heart over, even though I wasn’t the easiest soul to reach due to the fact that fuzzy pop and shoegazy vibes aren’t things I would take with me to a desert island.
 
 
 
7. NT’s White Trash – Mourning Becomes Electric

Nick Triani’s record label Soliti has gotten a lot of praises in the music media and blogosphere. I adore the label as much as any other, but my favourite Nick Triani -related album is Mourning Becomes Electric by his own band NT’s White Trash. Pop distortion with great melodies. Works for me.
 
 
 
6. Regina – Soita mulle

A welcome reminder that it’s still possible to become popular and hit the charts with great songs. Regina’s latest album Soita mulle was a thing of beauty and their new direction suited me perfectly.
 
 
 

5. Hi-Lo & In Between – We Are Not The Wind

This should have gotten much more recognition. This one ticks all the right boxes for me. Beautiful (but sometimes haunting) atmosphere and well-crafted folk songs. A couple of really amazing songs like the first single A Clear Silence and The Day When The Madness Came.
 
 
 
4. TV-Resistori – TV-Resistori

A tough task to beat those early TV-Resistori albums. Maybe they didn’t quite achieve that, but they definitely kept the quality really high and again released a delightful pop album. The loveliest of songs by the loveliest of bands.
 
 
 

3. Samae Koskinen – Kuuluuko, kuuntelen

Samae Koskinen released his best solo album to date and I love it to bits. Hän, jolla on kaikki is my favourite Finnish song of the year and the whole album is brilliant. The album compassionately handles low self-esteem issues in such caring manner that real-life Crane brothers would struggle to do a better job at it. And more importantly, it’s incredibly catchy pop album.
 
 
2. Mirel Wagner – Mirel Wagner

“Mirel Wagner proves that pitch black can shine brightly. A graveyard full of black metal guitarists couldn’t create anything half as heavy and raw as Mirel Wagner’s self-titled debut album.” Just quoting my own review. Is that allowed? Anyway, Mirel Wagner’s debut album still sounds stunning. A truly remarkable effort from a young folk/blues singer-songwriter.
 
 

1. Mummypowder – Centuries Later

Extremely easy decision in the end. Mummypowder’s fourth album Centuries Later is the Finnish album of the year. It is also the greatest pop album of the year 2011 even all countries considered, because if I would have made just one list Centuries Later would have taken either second or third spot on that list and the only one(s) ahead of it would fall more into the folk/country zone. I think this is just heavenly good pop album. The lyrics are the best Janne Lehtinen has ever written. The songs have been perfect before so it’s hard to become any better at that, but this might be the most consistent Mummypowder album to date. There’s not a single bad track on it. Everything sounds brilliant. I just can’t understand why this beauty doesn’t rule every year-end list.

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