The Wigs: File Under Vocal Pop

wigs

The Wigs: File Under: Pop Vocal (2009)

File under pop heaven. I’m always interested in power pop reissues and therefore I picked this up from notlame.com. The Wigs was a Milwaukee-based power pop band and their only album File Under: Pop Vocal came out in 1981. It’s strong and catchy skinny-tied power pop album. Especially the first four songs are pure gold. After listening to a song like 180 Degree or Tell It All one needs a forklift to pick up his jaw from the floor and keeps thinking “what the hell was that pure pop bliss” and “why the hell I hadn’t heard that one before”. Just fantastic late seventies power pop and the vocals are just magical. After the first four songs, everything remains enjoyable but the quality does drop a tiny bit. Not much, but it doesn’t reach the same heavenly heights anymore. I think this is mostly because it gets a lot closer to basic rock’n’roll. Nothing really wrong with that, but I just think that there are better rock bands out there. They couldn’t get even get close to that angelic pop bliss that The Wigs provided in the early stages of the album, but in their own game they are unbeatable. Therefore Popular Girl and It’s Over are the only ones that match the perfectness of the starting quartet during the later stages of the album. However, these six songs are so freakin’ good and could be compared to any pop classic of the era that it makes this a must have album. A minor complaint about the simple packaging and lack of liner notes, but in the end it doesn’t really matter. What matters is that these wonderful pop tunes are out and available on CD for the first time.

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The Wigs at myspace

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Rodriguez: Coming From Reality

Rodriguez

Rodriguez: Coming From Reality (Light In The Attic, 2009)

Sixto Rodriguez is an american folk musician who made two studio albums in the early seventies. The debut Cold Fact was released in 1970 on Sussex Records and this Coming From Reality a year later on the same label. Neither sold much which is again a crime against good music. Thankfully both of these have now been reissued by Light In The Attic and hopefully more people will find these jewels this time (I’ve learned that he is big in South Africa though, but the rest of the world should follow). At least these reissues have done the trick in my case. I didn’t know him before the amazing Shindig! magazine introduced him and his albums to me. I still haven’t heard Cold Fact, but it’s definitely on my shopping list after spending some quality time in the arms of this wonderful second album (if you want to know the reason why I choose to start with this one, it’s just that I liked this cover art more. That’s how much I know about music and how I make the selection of what to buy).

This is lyrically powerful folk music that also has a pop sensibility.  Rodriguez is a great storyteller and his poetic lyrics are a big part of the charm and keeps my interest high even during those 2-3 songs that aren’t that appealing to me melodically. Usually there’s no need for the lyrics to carry the songs through. Usually the composition and the lyrical side are both equally wonderful and together they create a little bit of magic in form of a thoughtprovoking folk tale or a sensitive pop song. Coming From Reality is a great album full of stunning songs like I Think Of You, Halfway Up The Stairs, Sandrevan Lullaby-Lifestyles and To Whom It May Concern. Now I need to go and buy the debut.

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Rodriguez Website
Rodriguez at myspace

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The Leftovers: Eager To Please

Leftovers

The Leftovers: Eager To Please (Crappy Records, 2009)

I found The Leftovers this summer when I saw this album on Not lame’s front page. The sound clips sounded really good and noticing that it was produced by Linus Of Hollywood made it even more interesting.  I ordered it the same day and I haven’t regretted that decision. Eager To Please is already the fourth The Leftovers album and it’s a whole lot of fun. It’s full of short, energic and catchy pop-punk and power pop songs with singalong choruses. Maybe they are occasionally getting dangerously close to becoming one of those lame punk-pop bands, but their melodic sense and 70’s power pop influences drive them back to more comfortable zones. 14 songs is a bit too big one time doze of this highly energic pop blast for me, because there isn’t much variation. However, it’s all very enjoyable and there’s not a bad song on the album. Maybe not that real killer song either, but Eager To Please is a very fine punky pop album.

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The Leftovers at myspace
The Leftovers Website

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